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[O] Oscar Castro-Neves.-.1996.01.01.-.Tropical Heart.-.JVC

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发表于 2020-2-22 18:46 | 显示全部楼层 |阅读模式
碟片名称:Tropical Heart/ G  n4 U+ W) N" p2 P
碟片编号:2507
/ y1 j9 @/ J# l5 \歌手名称:Oscar Castro-Neves
& M* T8 D4 @: L, b& }8 ]发行公司:JVC) d' d3 R- t% q' u8 t- K
发行时间:1996-01-01  i$ A# o) u! @
音质标准:16bit|44.1KHz5 L) H0 c+ U! F5 X  Y8 a
声道数量:立体声2 ~7 p* L6 I; g1 U
音乐类型:爵士 世界音乐 欧美 ( q. ~- Q2 G/ y3 B# B
碟片简介:有天赋的巴西爵士音乐家的神专9 }# x' N2 P, E1 c8 L
歌手写真:
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0 Q+ o! v# H. k$ w. L7 T& F2 A碟片封面:2 o& N( x7 f  N7 Q# ~& e1 V, p
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碟片介绍:
2 v0 G6 G. G4 S) i* |Tropical Heart是Oscar Castro-Neves于1996年发行的专辑。Oscar Castro-Neves(1940年5月15日 - 2013年9月27日[1])是一个巴西吉他手,作曲家,被认为是老板的新星的创始人。他出生在里约热内卢,作为三胞胎之一,并与他的兄弟在他的青年组成一个乐队。在1962年,他在一个bossa新星音乐会的卡内基音乐厅。他继续与不同类型的音乐家合作,包括比利Eckstine,马友友,迈克尔杰克逊,Barbra Streisand,Stevie Wonder,Jo?oGilberto,Eliane Elias,Toots Thielemans,约翰·克莱默,卡罗尔威尔士和Diane Schuur。在20世纪70年代和80年代初期,他是保罗冬季联盟的成员。接着是Mendes,Oscar-Neves,是A&M发行的“Fool on the Hill”的关键吉他手,继续经典的“Stillness”,这是看到最后的巴西'66分组。; q' t  I* x, ]" o  p6 u- A
歌手介绍:7 g; y1 p- L9 J1 q# Q9 V1 p5 B
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                                                        by  Alvaro NederOscar Castro-Neves is a gifted Brazilian musician settled in the U.S. since 1966. Besides his important contribution to the movement usually known as bossa nova, he has also taken part in projects with Joe Henderson (including their performances at the JVC Jazz Festival) and other great names of jazz, such as Dave Grusin, Herbie Hancock, Michael Brecker, and others. As a producer, arranger, and orchestrator, he has worked in many artists albums, conducting some of them; at the same time, wrote music for American movies and TV series. As a composer, enjoyed great success with his Onde Está Você, recorded by various important interpreters. Beginning his musical discovery very early, at six he already played a little violo and cavaquinho. With a group formed with his brothers, Leo (drums), Ico (bass), and Mário (piano), he performed in 1954 at Rádio Difusora, Petrópolis, RJ. The musicians interested in renewing Brazilian popular music were bringing classical influences from Ravel, Debussy, and others, incorporating altered chords into the bittersweet samba-cano of those times, and Castro-Neves was taken by it. Johnny Alf, deeply influenced by American jazz, was presenting his unusual piano playing at Cantina do César, where Castro-Neves would go to learn from him, as would all musicians who would be known as bossa nova proponents. In 1959, the nascent bossa nova was still called alternative names such as Festival de Samba Moderno (modern samba festival) in university presentations, and Castro-Neves joined those events in the first wave. On Carlos Liras first album, recorded in 1960 for Philips, Castro-Nevess Chora Tua Tristeza (with Luverci Fiorini) was included. Forming a new group, along with his brothers Ico and Leo, he performed at the Teatro Records (So Paulo SP) Festival Nacional de Bossa Nova. They also performed at the Noite do Sambalano at P.U.C. university (So Paulo SP). Gaining strength, the nascent movement caught the attention of Philips executives, who released the album Bossa Nova Mesmo with Castro-Nevess Chora tua Tristeza (interpreted by his group) and Menina Feia (recorded by Lúcio Alves). He and his group also accompanied other artists on that album. In 1962, he took part in the historic Carnegie Hall Bossa Nova Festival, with a group formed of Percy Wilcox (guitar), Ico, and Roberto Ponte (drums). He then became friends with Paul Winter, with whom he would record his own solo album, Oscar!, debuting on Winters label Living Music. Still in 1962, Castro-Neves recorded an LP for Audio Fidelity with drummer Milton Banana (O Ritmo e o Som da Bossa Nova), which included some of his own compositions. He performed at 1964s historic concert at Zum-Zum nightclub, together with Vinícius de Morais, Dorival Caymmi, and Quarteto em Cy. The show, directed by Aluísio de Oliveira, was recorded and released by de Oliveiras Elenco. The seminal show, O Fino da Bossa, was presented at So Paulos Teatro Paramount, which would generate the TV series presented by Elis Regina under the same title, and had Alaíde Costa singing Castro-Nevess Onde Está Você, scoring a hit with it. Castro-Nevess group was also recorded live on some tracks and released in 1965 on several LPs, such as Bossa Nova no Paramount, O Fino da Bossa RGE, and A Bossa Nova no Carnegie Hall (Audio Fidelity). He also composed and directed the music for Roberto Farias movie Toda Donzela tem um pai que é uma Fera and Millor Fernandes/Flávio Rangels play Liberdade, Liberdade. Tom Jobim included Castro-Nevess song Morrer de Amor (with Luverci Fiorini) on his 1966 album Tom Jobim Apresenta. Castro-Neves then headed for the States, where he joined Sérgio Mendes Brasil 66 group. Hired by A&M through Herb Alpert, they had immediate success in blendin a commercial pop vein, Brazilian, jazz, and American popular styles. When Castro-Neves joined them, they had already recorded three albums and he took part on all the subsequent ones, departing from their fourth album, Fool on the Hill, until 1981. As an arranger, Castro-Neves worked for Quincy Jones, Flora Purim, Laurindo Almeida, and others. In 1970, when Joo Gilberto and Miúcha were living in Mexico City, he arranged Joo Gilberto in Mexico. In 1973, he recorded for Odeon the LP $ALADE|COSTA|&|OSCAR$Alaíde Costa & Oscar Castro-Neves. In 1982, he arranged and directed the soundtrack for Bruno Barretos movie Gabriela, Cravo e Canela and also for Blame It on Rio. He worked with Yo-Yo Ma on the cellists chart-topping Tango album and played on David Darlings Cycles (ECM). He was a conductor, producer, and arranger for Ottmar Lieberts best-selling Leaning into the Night album. Together with Paul Winter, they produced Winters albums Common Ground and Missa Gaia. Since 1992, he has promoted Brazilian Music Nights at the Hollywood Bowl. He also owns Kennis Enterprises studio. His discography in the U.S. includes Tropical Heart, More Than Yesterday, Maracujá, Brazilian Scandals, Oscar!, Big Band Bossa Nova, and Big Band Bossa Nova.
9 I) |: D( k2 Y& R" }8 }* M碟片曲目:8 \# ]1 ]5 ]) N5 j1 D/ X  U$ `1 W
01. Oscar Castro-Neves - Holding With An Open Hand    04:32
8 G4 d. e9 E+ ^7 K! q, X% i02. Oscar Castro-Neves - You Are My Romance    03:05
3 J; Z# H) o: r' q- G03. Oscar Castro-Neves - New Hope    03:46
5 n: l! k8 e( ^04. Oscar Castro-Neves - If The Dance Is Over    03:32
$ m- }* {& q# O- G% c4 n05. Oscar Castro-Neves - Envelope    04:14
" `+ O+ G! q2 G& m) y06. Oscar Castro-Neves - I Still Do    03:05
9 q. E& n$ m8 o. v! y3 t8 x0 T, F07. Oscar Castro-Neves - My Heart Surrenders    04:196 s* }% ], Z* B3 r% m2 l
08. Oscar Castro-Neves - Maya's Gift    03:05
0 `, y; u2 [% u3 F' P09. Oscar Castro-Neves - I Have Seen Tomorrow    04:156 x/ K5 Z9 z; [2 w
10. Oscar Castro-Neves - Jasmina's Perfume    03:496 J, _# G, {# k+ b3 }4 h
11. Oscar Castro-Neves - Souvenirs    04:35! \" z3 l! Y2 S: q9 L
12. Oscar Castro-Neves - Tropical Heart    04:025 d9 N& ~- [5 ~+ K0 P
13. Oscar Castro-Neves - Lullaby For A Magical Childheart    03:32
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