Bob James&Earl Klugh.-.1992-01-01.-.COOL.-.华纳唱片

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碟片名称：Cool
碟片编号：2351
歌手名称：Bob James; Earl Klugh
发行公司：华纳唱片
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声道数量：立体声
1 i$ ^! f$ F0 }音乐类型：爵士 流行 欧美 经典
碟片简介：
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碟片封面：
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碟片介绍：
# A5 \6 S/ l9 t  Y《清凉》是一张典型的现代融合爵士音乐唱片。以演奏阵容论，它的乐手组合绝对称得上“梦之队”：键盘手鲍伯-詹姆斯是当代最活跃的键盘手，无论是个人身份还是组团演出都有不俗的成绩，曾获两届格莱美最佳演奏艺人大奖；电吉他手厄尔-克鲁是以清新写意的乐风广受乐迷喜爱的新生代爵士演奏家，曾获7次格莱美最佳爵士器乐演奏奖项提名；贝司手罗-卡特是成名多年的大师级人物；鼓手梅森等人也是可独挡一面的演奏高手。专辑封面的黄瓜图案和内页的各色冰激凌照片显示着这张唱片音乐的特色：轻松畅快，凉爽宜人。比较融合乐风下的“cool”和传统爵士的“cool”即可知晓，当代爵士演奏的方式和理念均已突破旧有制式，向更多元化的领域探索。人们可以把它这张唱片当成一张有爵士味道的轻音乐，也可以把它当成一张有轻音乐特点的爵士乐，而所谓的“cool”和此碟电子音效的应用不无关系。两位主奏者演奏电声乐器经验丰富，他们调制出的音乐画面丰满，并富于动感和人性，节奏摩登。12首乐曲旋律动听，格调新颖自然，是适合现代乐迷口味的新派爵士音乐。母带刻板大师鲍伯-路德维希对这张唱片天碟级的音效贡献良多，碟中的吉他和套鼓是最出彩的两件乐器，前者的音符一粒粒珠圆玉润，而后者的动态和速度也是同类录音中的佳品。
白金水准的爵士宗师举鼎之作，就是那张慕名的发烧片《清凉》(Cool，又被形象地戏称作：青瓜)，此碟在“发烧”界享有盛誉多年。Bob James系一 代爵士键盘宗师，而Earl Klugh也在吉他界鼎鼎大名，两位重量级人物组成当你我Jazz与Fussion乐坛最具号召力的黄金拍挡。此唱片以其怡人的音乐、技艺精湛的演奏，更以出奇的靓声录音在当代唱片史上占据重要地位。高频 通透无匹，低频丰满极富弹性，即使用最普通的音响系统播放，听者也能领略到其传奇性的录音效果。各项乐器的音色还原得无比真实。《CD圣经》年年更新，可是这张专辑却从未下架。援引《CD圣经》的评价就是：“……结像力靓到惊人，有如音符一件件一粒粒吊在空间”。自此张专辑以后，才有了沙发音乐这一称谓。这张大碟运用了最佳的技术和音乐思维，透过既兴演奏，表达出白人爵士乐的轻巧、闲逸和浓烈的都市气息。
此唱片以其怡人的音乐、技艺精湛的演奏，更以出奇的靓声录音在当代唱片史上占据重要地位。音效上，此碟亦可称百分之百的精彩，尤其是量感和层次感更有特色，听起来，吉他、鼓、贝司和键盘，一件件稳如泰山地在跟前演奏，没有可以的张扬，却充满内力。 鼓与吉他的表现在此碟中最为抢镜，质感和立体感几乎无懈可击。鼓手手起棍落，力道充沛，有擂人心口震撼力；而吉他，细致的中高音频音色，极具空气感 。
7 N1 _% G+ n3 h# `+ q3 d' f% \歌手介绍：
by  Scott YanowAn acoustic guitarist with a very pretty tone, Earl Klugh does not consider himself a jazz player and thinks of Chet Atkins as being his most important influence. Klugh played on a Yusef Lateef album when he was 15 and gained recognition in 1971 for his contributions to George Bensons White Rabbit record. He played regularly with Benson in 1973, was a member of Return to Forever briefly in 1974, and then in the mid-70s, began recording as a leader. After a couple well-received solo albums on different Capitol imprints including Blue Note, Klugh hit pay dirt with 1979s One on One, a Grammy-winning collaboration with pianist Bob James. More solo albums followed before the sequel to One on One, Two of a Kind, appeared in 1982. In 1984 he changed labels and released one of his most popular albums, Soda Fountain Shuffle, on Warner Brothers. Klugh made his biggest artistic impression yet in 1989 with the self-explanatory Solo Guitar. Two years later he would return to the serious jazz repertoire of Solo Guitar, but this time with bassist Ralphe Armstrong and drummer Gene Dunlap on the acoustic bebop outing The Earl Klugh Trio, Vol. 1. Cool from 1992 found him working with Bob James again and was followed by three more smooth releases for the Warner Brothers family before the jump was made to Windham Hill with 1999s Peculiar Situation. Compilations, live albums, appearances with others, and reissues filled the years leading up to 2005s Naked Guitar, a stripped down, standards-heavy album for the Koch label.
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- f2 A# b6 E$ c  S9 U01. Bob James; Earl Klugh - Movin' On    07:34
02. Bob James; Earl Klugh - As It Happens    06:26
) f, f% r9 u( V, s5 l: I- Z03. Bob James; Earl Klugh - So Much In Common    06:17
04. Bob James; Earl Klugh - Fugitive Life    05:51
- J( N/ A( r5 I" j05. Bob James; Earl Klugh - The Night That Love Came Back    04:37
06. Bob James; Earl Klugh - Secret Wishes    06:02
07. Bob James; Earl Klugh - New York Samba    05:49
# s, C" J! f& a  i08. Bob James; Earl Klugh - Handara    06:23
09. Bob James; Earl Klugh - The Sponge    05:51
10. Bob James; Earl Klugh - Terpsichore    07:54
11. Bob James; Earl Klugh - San Diego Stomp    05:21
12. Bob James; Earl Klugh - Miniature    02:45
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