Robert Cray.-.1986-01-01.-.Strong persuader.-.Mercury

dts007

碟片名称：Strong Persuader
碟片编号：567
歌手名称：Robert Cray
发行公司：Mercury
发行时间：1986-01-01
音质标准：24bit|192KHz
* I5 [% f2 B5 |声道数量：立体声
音乐类型：布鲁斯 欧美 经典
0 |" h3 ~+ n1 B6 A碟片简介：在淡淡的音调中，诉说自己的近来的情况，畅想不曾逝去的追求
歌手写真：

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1 u! n3 n# c6 F7 D5 k: H7 URobert Cray(罗伯特·克雷）是一名蓝调歌手，1974年涉足音乐界，1980年1月年发布第一张专辑《Who's Been Talkin'》，这张带有布鲁斯，流行音乐和传统蓝调风格的专辑刚发行就受到了的好评，这也奠定了他未来在音乐界的道路。1983年的一首Bad Influence 展现了 他的高音实力，也被贴上了高音调乐队的标签。
& W/ K( U8 Z/ I+ ~2 }" W+ U/ XRobert Cray(罗伯特·克雷）是1980年代和90年代为数不多的主流蓝调歌手之一，。从70年代涉足音乐，经历了不长不短的十年时间，他的曲风逐渐成型，创作水平有了很大的提升。他的歌曲具有当时布鲁斯，流行音乐和传统蓝调里面的元素，并把这些元素很好的融入他的歌曲，形成了他那种独特的节奏喝韵味，他的蓝调曲风非常符合上世纪80年代文化背景，到80年代他的歌曲在当时的乐坛流行起来，并受到了广大歌迷认可。
1985年，Cray与Johnny Copeland和Albert Collins合作推出专辑《False Accusations》和《Showdown》，后者获得了格莱美“最佳传统布鲁斯唱片奖”。
) v  G! a, e5 _《Strong Persuader》是1986年推出的专辑，发行后销量很快就突破百万，成为三十年来第一张进入排行榜前20名的布鲁斯唱片，并赢得格莱美大奖。
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6 h# S2 T# \; P* u  mRobert Cray是八十年代最成功的布鲁斯歌手，他能够将朴实而简洁的吉他演奏与富有激情的演唱相结合，演绎传统的布鲁斯音乐。同时，他又突破形式上的束缚，以现代的方式来表演传统的主题，并在两者之间找到了一个平衡点。Cray的歌迷们也由此规整的划分为两个阵营：一些人希望他不断开拓新的领域，而另一些人则仍是等待着欣赏Cray的经典节奏与布鲁斯作品。1985年，Cray与Johnny Copeland和Albert Collins合作推出专辑《False Accusations》和《Showdown》，后者获得了格莱美“最佳传统布鲁斯唱片奖”。1986年的专辑《Strong Persuader》销量很快突破百万，成为三十年来第一张进入排行榜前20名的布鲁斯唱片，专辑赢得格莱美大奖。进入九十年代，Cray不断尝试以各种新的方式来演绎传统布鲁斯音乐，并且大获成功，每张专辑都获得了好评。by Bill DahlTin-eared critics have frequently damned him as a yuppie blues wanna-be whose slickly soulful offerings bear scant resemblance to the real down-home item. In reality, Robert Cray is one of a precious few active blues artists with the talent and vision to successfully usher the idiom into the future without resorting either to slavish imitation or simply playing rock while passing it off as blues. Just as importantly, his immensely popular records helped immeasurably to jump-start the contemporary blues boom that still holds sway to this day. Blessed with a soulful voice that sometimes recalls 60s great O.V. Wright and a concise lead guitar approach that never wastes notes, Crays ascendancy was amazingly swift — in 1986 his breakthrough album, Strong Persuader, for Mercury (containing Smoking Gun) won him a Grammy and shot his asking price for a nights work skyward. Unlike too many of his peers, Cray continues to experiment within his two presiding genres, blues and soul. Sets such as Midnight Stroll, I Was Warned, and Shame + a Sin for Mercury show that the bluenatics (as he amusedly labels his purist detractors) have nothing to fear and plenty to anticipate from this innovative, laudably accessible guitarist. Sweet Potato Pie concluded Crays stint at Mercury, and he moved to Rykodisc for two albums, Take Your Shoes Off and Shoulda Been Home, both of which more fully embraced his soul leanings. Sanctuary Records was his next stop, where he further broadened his sound by including a couple antiwar protest songs and playing electric sitar on Time Will Tell (2003). Twenty, titled after another antiwar song, followed in 2005. Live from Across the Pond, which features material culled from seven nights at Londons Royal Albert Hall, arrived in 2006.
碟片曲目：
1 F6 Z  e. h) p1 Z; d4 N01. Robert Cray - Smoking Gun    04:08
% i9 {2 L0 D& c# G; N) O% _02. Robert Cray - I Guess I Showed Her    03:40
03. Robert Cray - Right Next Door (Because Of Me)    04:20
8 Y2 g8 q& Z$ J  |04. Robert Cray - Nothin' But A Woman    04:00
05. Robert Cray - Still Around    03:42
06. Robert Cray - More Than I Can Stand    02:59
07. Robert Cray - Foul Play    04:07
6 n% V7 F% o$ W08. Robert Cray - I Wonder    03:56
5 t* ~8 i1 @5 f. N: O09. Robert Cray - Fantasized    04:04
10. Robert Cray - New Blood    04:23
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